
Adolescence Leads, Andor Follows: The Race for BAFTA's Most Prestigious TV Sound Prize Begins
As the BAFTA TV Craft Awards ceremony approaches on 26 April, we preview the Sound: Fiction and Sound: Factual categories — where single-take intimacy meets galactic-scale spectacle.
When the BAFTA Television Craft Awards take place on Sunday 26 April, the Sound: Fiction category will pit two of the most technically audacious television productions of the past year against each other. In one corner: Adolescence, the Netflix single-take drama whose sound team had to capture every whisper and scream across hour-long unbroken takes. In the other: Andor, the Disney+ Star Wars series whose designers built an immersive sonic universe from scratch in Dolby Atmos.
It is a genuinely fascinating contest — and one that says a great deal about where the craft of television sound stands in 2026.
Director Philip Barantini's four-part limited series was filmed entirely in single continuous shots — no cuts, no pick-ups, no second chances. For the sound department, that meant no punch-ins, no room to fix a fluffed line in isolation, and no opportunity to reset gain between scenes.
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